Film Scores I Love, Part Two

     Okay, it's not a feature film -- rather, they're not feature films -- but Hagood Hardy's scores to Anne of Green Gables and Anne of Green Gables, the Sequel (formerly titled Anne of Avonlea) are so wonderfully winsome, touching, humorous, romantic, and just downright perfect for these mini-series, I just had to include them here.

     Unfortunately, the CD is out of print and extant copies, both new and used, are outrageously expensive (at least from what I saw on Amazon). Shame. At least we still have this beautiful music on YouTube.

     One of my favorite film composers is Thomas Newman, whose most recent credits include The Help, The Iron Lady, and The Best Exotic Marigold Hotel. But it's his score to the 1994 Little Women that I love best. The titles theme is unabashedly American, almost Copland-esque, with its broad brass and sweeping strings, a perfect musical evocation of this quintessentially American novel and its atmospheric film adaptation.



     Another of my favorites is Patrick Doyle. Who doesn't love the music in the final scene of Sense and Sensibility ? All the music in this film is wonderful, particularly the songs sung by Kate Winslet and, over the end credits, the platinum-voiced Jane Eaglen.



     Speaking of Jane Austen films, I particularly love the songs Jeremy Sams wrote for the 1995 Persuasion, both of them in Italian and both so lovely (though the second one is incomplete), I wish they were available on sheet music. Those of you who have seen the film undoubtedly know the scene where Anne and her family attend a salon concert (" ... to be given in Italian," said Mr Elliott contemptuously ). The first song is repeated over the final credits.

     I couldn't write a post about favorite film scores without including this scene from The Holiday, in which Jack Black, playing a film composer, tells Kate Winslet's character -- in a most descriptive way -- what his favorite film scores are. (Fastforward to about 4:00 for the scene I'm talking about.)





My Favorite Summer Viewing

Most film lovers I know have seasonal favorites, films they love to watch at certain times of the year. For instance, every Advent one of my sisters likes to pull out all her Christmas-y DVDs, set them to one side, and watch one each evening. Another of my sisters DVRs all the Hallmark Channel Christmas movies.

Now that summer looms its heavy, humid head over us, I reckon it's time to pull out my favorite films and mini-series and be carried away to a cooler, more pleasant place, both geographically and spiritually.

Let's start with the film that's actually named for the season: David Lean's romantic Summertime, starring Katharine Hepburn and Rossano Brazzi. A 40-something spinster finding love while on vacation in Venice, beautiful cinematography, heroine leaning out of the train window and waving goodbye ... <*sigh*> The entire movie has been posted on YouTube, but here is just a snippet:

For years, I loved the Disney version of Pollyanna with Hayley Mills. Then I discovered the 2002 BBC version and fell in love with it. I didn't fall out of love altogether with the Disney version and all its slick, over-produced cuteness, but I now prefer this one by far.

No summer would be complete for me without a viewing of Wonderworks' incomparable Anne of Green Gables and Anne of Avonlea. (Anne of Avonlea is now marketed as Anne of Green Gables: The Sequel.) Seldom have I seen such a perfect combination of screenplay, cast, location, and cinematography -- and the musical score is absolutely heart-stirring. However, after just one viewing of Anne of Green Gables: The Continuing Story and Anne of Green Gables: A New Beginning, I have since steered clear of them—they're ridiculous, and are not taken from the books. I'll just stick to the original first two, thank you!

Maybe Enchanted April is technically a spring movie, but the general idea of getting away from miserable weather to a more congenial climate works in any season. This film is one of my top ten favorites of all time. And if you haven't read the novel of the same name by Elizabeth von Arnim, I can't recommend it enough.

One of my top five favorite mini-series is The House of Eliott. It's about two orphaned young Englishwomen in the 1920's who find themselves in dire straits and start their own couture house. The story is compelling, the script quite good for the most part; but the costumes are the real draw! At the end of the first series (twelve episodes), the Eliott girls stage their first fashion show, and the gowns are stunning. The second series is just as good, but the third (which is only six episodes) is negligible.

 

 

Way back in the late '6os the BBC graced PBS with a superlative adaptation of John Galsworthy's classic triptych The Forsyte Saga. It starred Eric Porter as the definitive Soames Forsyte, one of the most complex anti-heroes in English literature, Nyree Dawn Porter (no relation) as the long-suffering Irene, and, in later episodes, Susan Hampshire as Soames' self-absorbed daughter, Fleur (Hampshire won an Emmy® for her portrayal). When The Forsyte Saga aired (1967 in the UK, 1971 in the US), it created every bit as much public stir and ardent viewer devotion as Downton Abbey has in our time. Granada Television did their own adaptation for ITV in 2002 starring Damian Lewis as Soames, but their version pales in comparison, despite its technicolor and sumptuous production values. The acting and casting in the original BBC production simply can't be beat.

  

And of course, I can't leave out the 1995 Pride and Prejudice. Summer wouldn't be summer without an eyeful of Colin Firth in that wet shirt! (Which is nowhere in the novel; but who cares?!)